Why Trump’s Victory Matters, and Why It Doesn’t

Donald Trump is the projected winner of the 2024 presidential election. After winning back states he had lost in 2020, Trump performed well in Wisconsin, Michigan, and Pennsylvania—states Kamala Harris needed to win. Trump has won more than enough electoral votes to win back the White House and, as of early Wednesday morning, is projected to win the popular vote.

Republicans have also retaken control of the Senate. Control over the House of Representatives is still up for grabs but, so far, Republicans are on pace to take that too.

Trump’s win represents another major and well-deserved repudiation of the Washington establishment. In 2016, Republican voters decisively rejected Jeb Bush—the establishment’s chosen GOP candidate—and sent Donald Trump to the White House on a refreshingly anti-establishment platform.

While he largely governed like an establishment Republican in his first term, his occasionally anti-establishment rhetoric was enough to prompt a full-court press from the political class to first force him out of office and later to disqualify him from ever holding power again. In the realm of public opinion, the establishment’s chosen tactic was to label Trump a racist, misogynist, wanna-be fascist whose supporters back him simply because they hate everyone who isn’t straight, white, and male.

As Murray Rothbard wrote in a controversial, but prescient essay back in 1992, the modern Washington establishment has shown a robust willingness to excuse and even side with explicit racists. They aren’t actually appalled or offended by off-color jokes and statements. They just recognize that it’s easier to get regular, everyday Americans upset about those things than the rhetoric that truly worries those in power—in this case, Trump’s honesty about how Washington screws the public over and his skepticism about the need to fight all these wars.

The fact that Trump won again, after eight years of relentless demonization from those in power, is arguably an even bigger loss for the establishment than 2016.

It is certainly a bad outcome for the establishment media. The Trump campaign made a very explicit choice to engage more with alternative media than any other campaign in history. Trump sat for hours-long interviews on some of the biggest podcasts and internet talk shows, bringing his message to millions of listeners in a conversational setting—the opposite of short, scripted sound bites. Meanwhile, the establishment was freaking out about newspapers not printing formal Harris endorsements.

The establishment media is quickly losing relevance in our media environment, and this election result confirms that.

Still, there are plenty of reasons to be worried about Trump’s second term.

For one, there is clearly an effort by some neoconservatives and establishment Republicans to again co-opt Trump’s presidency. Trump, for his part, will probably be happy to bask in calling himself a winner while delegating the actual work to establishment figures who actually oppose many of the policies that make Trump popular with the American people.

Trump is also explicitly bad on a number of issues—like his hawkishness toward China and Iran and his call for more government barriers to trade. And because these positions would grant more power and money to the political class, the prospect of them coming to fruition is far more likely than his better positions.

There is also what has often been dubbed the “only Nixon could go to China” effect, where nominally right-wing politicians have an easier time enacting left-wing policies, and vice-versa. For instance, Trump significantly escalated Obama’s policy and sent lethal aid to Ukraine back in his first term, in part to counter the establishment’s campaign to define him as a Russian puppet. Without vigilant, bottom-up pressure from the public, Trump could easily be worse on some issues than Harris would have been.

Still, there is value in the American people again repudiating the political establishment by voting for a candidate they had clearly deemed unacceptable. If Trump can follow through on his promises to end the war in Ukraine, appoint a libertarian to his cabinet, and finally free Ross Ulbricht, and if he greenlights Elon Musk’s plan to start a government efficiency department with Ron Paul, then this election will prove to have been even more consequential.

With all that said, however, it’s important to keep perspective and not get too carried away by all the focus on this one victory. The unfortunate fact is that some of the most significant issues facing the American people were not featured at all in this election cycle.

The most frustrating example is all the damage caused by the Federal Reserve. As Ludwig von Mises, F.A. Hayek, Murray Rothbard, and countless other economists in the same tradition have explained, when supposedly independent central banks like the Fed print new money and transfer it to the big banks and other politically-connected groups, it transfers the public’s wealth to the political class through inflation and traps us in a never-ending cycle of recessions.

Further, the federal government’s use of money printing allows them to hide and delay the cost of government programs. All the worst things Washington is currently doing to us and to people abroad are only politically possible because of the Fed.

The price inflation our government forces on us is not only a blatant transfer of wealth from the poor and middle class to the politically-connected rich, it has incredibly damaging impacts on our culture. Thanks to Fed-induced permanent price inflation, people are encouraged to take on debt and be more shortsighted and reductionist in their economic decisions, firms become artificially big, the consumption of stuff takes priority over the cultivation and production of resources, the quality of our elites and leaders diminishes, and generosity recedes out of community life.

As if that’s not enough, the political establishment has used its ability to conceal the cost of its programs in inflation and debt to build a massive military-industrial complex. The political class has spent the past eighty years finding and creating new enemies abroad to justify all the power centralized in and money spent on the war-making apparatus in Washington, DC.

Eight decades of military engagements, proxy wars, and arming allies has been lucrative for federal bureaucrats, beltway “national security” experts, and weapons companies. But it’s come at the expense, not only of the American public’s economic well-being, but our actual security.

Today, the world is full of groups—ranging from remote bands of terrorists to nuclear-armed governments—that consider Americans their enemy thanks to foreign interventions conducted by our government that were completely unnecessary. Now, rather than admit their role in bringing about these dangerous conditions, the political class is using our perilous global moment to justify more foreign interventions.

That same cycle where the government creates problems with interventions that are then used to justify more interventions is at work in countless other areas, such as the cost and quality of healthcare, the price of college, the affordability of housing, and more. And again, much of this is enabled and exacerbated by the Federal Reserve system.

All of these are major issues that have serious impacts on the well-being of the American people. Yet they received little to no mention this election season. Inflation was mentioned a lot by both campaigns, but the rhetoric never touched on the true cause and only solution. Trump, to his credit, did have some good moments speaking out against “forever wars” and promising to end the war in Ukraine. But his stance on Iran and China was often even more hawkish than the Washington establishment.

The full context of the interventionist scheme creating and profiting off of the problems facing us at home and abroad was either not understood or intentionally ignored by both campaigns.

The Washington establishment suffered an embarrassing defeat last night, and that’s reason to celebrate. But until the public comes to truly understand how they use central banking and interventionism to enrich themselves at our expense, the good that can come from elections remains frustratingly limited. It’s up to those of us who do to get to work.

Image Source: Wiki Commons
Note: The views expressed on Mises.org are not necessarily those of the Mises Institute.

 


What is the Mises Institute?

The Mises Institute is a non-profit organization that exists to promote teaching and research in the Austrian School of economics, individual freedom, honest history, and international peace, in the tradition of Ludwig von Mises and Murray N. Rothbard.

Non-political, non-partisan, and non-PC, we advocate a radical shift in the intellectual climate, away from statism and toward a private property order. We believe that our foundational ideas are of permanent value, and oppose all efforts at compromise, sellout, and amalgamation of these ideas with fashionable political, cultural, and social doctrines inimical to their spirit.

 


Originally Posted at https://mises.org/


Related Posts

The Miserable Cost Of An Open Border

The Miserable Cost Of An Open Border

Authored by Seth Barron via RealClearPolitics,

The Biden-Harris experiment in dissolving the U.S. border has wrought massive changes to American society, most of which will not be understood for years, if not decades. Since 2021, U.S. border officials have had at least 10 million “encounters” with migrants, many of whom were allowed to enter the country. There is no telling how many more aliens entered the country without encountering enforcement agents. The population of the United States may have increased by as much as 15 million people in just a few years.

This massive flow of humanity crosses multiple national borders, involves every mode of transportation, accounts for billions of dollars paid in fees to smugglers, and describes a fantastically complex economy of suffering and hope. In an effort to get a handle on this human tide, noted muckraker James O’Keefe – known for his hidden camera “gotcha” interviews with abortionists, media executives, progressive nonprofit executives, and other degenerate types – traces the migrant onrush from its source, and seeks to trace the machinery of profit and influence that is conducting it from great removes.

“Line In The Sand,” the resulting documentary, is a remarkable and humane exposition, revealing perspectives and images American audiences have mostly been prevented from seeing. O’Keefe and his intrepid team begin on the U.S. side of the Mexican border, where we witness migrants crossing the border through holes that their guides have cut in a fence that serves as a target as much as a barrier. Infrared cameras show dozens of illegal aliens streaming toward “pick-up” vehicles on the U.S. side while smugglers – presumably cartel members – a few feet away taunt O’Keefe and his group. “What if I were to run up to them right now, what would happen?” O’Keefe asks his guide. “I would highly advise you against that,” he is told, in a classic understatement.

The fact that coyotes and other human traffickers are paid to assist northbound migrants with their passage is no scandal; we all know what their motivations are and why they are doing what they do. But O’Keefe documents multiple examples of U.S. Border Patrol agents standing idly by while illegal aliens cross, virtually under their noses. “Why aren’t you doing anything?” he asks. “Have a good day, guys,” a border agent desultorily responds before driving off in the general direction of the episode. Later, a migrant stands in front of a Border Patrol truck, clearly trying to alert the agents of his intention to surrender, but is studiously ignored until O’Keefe and his team call their attention to him.

There is a kind of sad comedy in the operations of U.S. border security, and O’Keefe is not unsympathetic to the absurd position that border agents have been put in. Trained to defend the national border and to serve as the first line of defense of American soil, these agents have been recommissioned as a perverse Welcome Wagon for illegal aliens, charged with making their undocumented and uninvited entrance to the United States as commodious as possible.

Looking to get deeper into the heart of this migratory avalanche, O’Keefe went deep into Mexico, to the city of Irapuato, about 150 miles northwest of Mexico City. Irapuato is a popular railway junction where thousands of migrants climb aboard “La Bestia,” or “The Beast,” a cargo train that chugs northward toward the United States. In the film’s most remarkable footage, O’Keefe and his team join with migrants, mostly from South and Central America, to ride The Beast, also known as “el Tren del Muerto,” or the Train of Death. O’Keefe talks to the migrants without condescension, asking them their destinations and what they plan to do when they get there, and their concerns about the perilous nature of the journey. We see the film crew race to jump on a moving train and clamber on top to sit in a pile of coal; O’Keefe is shocked at how truly dangerous this small element of the trip is and sympathizes with the migrants’ difficult choices. These scenes are among the film’s most affecting, along with the crew’s random encounter with a little girl who had just crossed the border after journeying from Guatemala by herself. There is a human dimension to illegal immigration, and O’Keefe does not ignore it. 

However, there is also an impersonal dimension to this massive population transfer, and O’Keefe determinedly aims to uncover it – to put a face to the institutions and administrators that benefit from the rough injection of millions of people into American society. From government agents to bus companies to nonprofit resettlement groups to private contractors running huge, walled compounds housing thousands of children, O’Keefe doggedly tries to penetrate the mechanics of a system that resolutely hides itself behind a screen of silence, usually in the name of “safety” and “privacy.”

Some of the film’s more comical moments pertain to these segments, such as when the team follows some just-arrived Chinese migrants in San Diego to an employment agency, where other Chinese aliens, already in the country for several months, complain that it’s much harder to live in the United States than they had imagined. O’Keefe tries to sniff out a connection between the owner of the agency and more powerful actors, but it emerges that there really isn’t much going on; in fact, the owner asks O’Keefe if he knows of a way to apply for government grants.

Elsewhere, O’Keefe tries to get information about the operations of several huge residential centers for unaccompanied minors and tries to spin their refusal to give him access to the centers or submit to interviews as evidence of the existence of vast, government-funded child sex trafficking networks. But it seems more likely, though no less troubling, that the open borders policy of the last four years has created a tremendous humanitarian crisis of alien children roaming the continent by themselves, and the government is probably trying to keep them from becoming prey to sex traffickers while they sort out where to send them. Though O’Keefe does not uncover a salacious network of child predators, his vigorous pursuit of the truth does reveal the existence of a large, shadowy, government-funded, and lucrative system of child “welfare.”

So, “Line In The Sand” is correct in the larger sense that billions of dollars are being spent managing this human flow, and many people are getting rich off of it. The last thing these parasitical administrators of the nonprofit industrial complex want is for the border to close. O’Keefe does a great job of capturing in real time the corruption of a local New York City nonprofit called La Jornada, whose leader, Pedro Rodriguez, evidently perpetrates fraud, demanding fees for services that the city provides for free. O’Keefe also sends a Spanish-speaking reporter undercover into the Roosevelt Hotel, New York City’s main processing center for newly-arrived migrants, which offers him free housing, medical care, and even airplane tickets, even though the reporter explains that he has no identification of any sort. How, O’Keefe asks, in our post 9/11 security-obsessed era, are we to make sense of a system that admits millions of unvetted foreigners into the country, and then offers to fly them anywhere they care to go?

“Line In The Sand” is rough in parts, but intentionally so. Its subject is so sprawling and tangled that a neat and clean representation would be a lie. Even with a nine-figure budget – which this film assuredly did not have – a documentary about the border and the 30 million-footed human swarm that has crossed it would be messy and incomplete. But James O’Keefe and his small team have done something remarkable. They have taken on the decade’s biggest story, given it form, and preserved the humanity of its subjects. It is worth watching.

Seth Barron is a writer in New York and author of the forthcoming “Weaponized from Humanix.”

Tyler Durden
Sat, 12/07/2024 – 17:30

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