Hurricane Rafael Public Advisory Number 14A


000
WTNT33 KNHC 070545
TCPAT3

BULLETIN
Hurricane Rafael Intermediate Advisory Number 14A
NWS National Hurricane Center Miami FL       AL182024
100 AM EST Thu Nov 07 2024

...CENTER OF RAFAEL CONTINUES TO MOVE AWAY FROM WESTERN CUBA...
...STORM SURGE, WINDS, AND RAINS SHOULD SUBSIDE ACROSS CUBA
OVERNIGHT...


SUMMARY OF 100 AM EST...0600 UTC...INFORMATION
----------------------------------------------
LOCATION...23.8N 84.1W
ABOUT 115 MI...185 KM WNW OF HAVANA CUBA
ABOUT 155 MI...250 KM WSW OF KEY WEST FLORIDA
MAXIMUM SUSTAINED WINDS...105 MPH...165 KM/H
PRESENT MOVEMENT...NW OR 310 DEGREES AT 13 MPH...20 KM/H
MINIMUM CENTRAL PRESSURE...969 MB...28.62 INCHES


WATCHES AND WARNINGS
--------------------
CHANGES WITH THIS ADVISORY:

None.

SUMMARY OF WATCHES AND WARNINGS IN EFFECT:

A Hurricane Warning is in effect for...
* Cuban provinces of Pinar del Rio, Artemisa, La Habana, and
Mayabeque

A Tropical Storm Warning is in effect for...
* Lower and Middle Florida Keys from Key West to west of the
Channel 5 Bridge
* Dry Tortugas

A Hurricane Warning means that hurricane conditions are expected
somewhere within the warning area.

A Tropical Storm Warning means that tropical storm conditions are
expected somewhere within the warning area.

For storm information specific to your area in the United
States, including possible inland watches and warnings, please
monitor products issued by your local National Weather Service
forecast office. For storm information specific to your area
outside of the United States, please monitor products issued by
your national meteorological service.


DISCUSSION AND OUTLOOK
----------------------
At 100 AM EST (0600 UTC), the center of Hurricane Rafael was located 
near latitude 23.8 North, longitude 84.1 West.  Rafael is moving 
toward the northwest near 13 mph (20 km/h).  A turn toward the west 
at a slower forward speed is expected later today, with this general 
motion continuing through Saturday.  On the forecast track, Rafael 
is expected to continue to move away from western Cuba over the 
southeastern Gulf of Mexico this morning.  Rafael is then forecast 
to move over the southern Gulf of Mexico for the next few days.

Reports from an Air Force Reserve Hurricane Hunter aircraft indicate 
that the maximum sustained winds are near 105 mph (165 km/h) with 
higher gusts.  Some weakening is possible today, with little change 
in strength expected on Friday.

Hurricane-force winds extend outward up to 30 miles (45 km) from the 
center and tropical-storm-force winds extend outward up to 115 miles 
(185 km).

The minimum central pressure estimated from Air Force Hurricane 
Hunter aircraft observations is 969 mb (28.62 inches).


HAZARDS AFFECTING LAND
----------------------
Key messages for Hurricane Rafael can be found in the Tropical
Cyclone Discussion under AWIPS header MIATCDAT3 and WMO header
WTNT43 KNHC and on the web at hurricanes.gov/text/MIATCDAT3.shtml

WIND:  Hurricane conditions are expected to continue in portions of
western Cuba for the next few hours.  Tropical storm conditions
are expected in parts of the Lower and Middle Florida Keys and the 
Dry Tortugas through this morning.

RAINFALL: Additional rainfall amounts of 2 to 4 inches are expected
today, leading to storm total accumulations of 12 inches across 
portions of western Cuba.  This may lead to areas of flash flooding 
and mudslides, especially along the higher terrain.

Rainfall totals of 1 to 3 inches are expected for the Lower and
Middle Florida Keys.

For a complete depiction of forecast rainfall associated with
Hurricane Rafael, please see the National Weather Service Storm
Total Rainfall Graphic, available at
www.nhc.noaa.gov/graphics_at3.shtml?rainqpf

STORM SURGE: Storm surge flooding along the coast of Cuba should
subside overnight.

The combination of a storm surge and the tide will cause normally
dry areas near the coast to be flooded by rising waters moving
inland from the shoreline.  The water could reach the following
heights above ground somewhere in the indicated areas if the peak
surge occurs at the time of high tide...

Dry Tortugas...1-3 ft
Lower Florida Keys...1-2 ft

TORNADOES: A couple of brief tornadoes remain possible overnight,
mainly over parts of the Lower Florida Keys.

SURF: Swells generated by Rafael are expected to affect much of the
northwestern Caribbean during the next day or so and will also
spread across most of the Gulf of Mexico from east to west late this
week into the weekend. These swells are likely to cause
life-threatening surf and rip current conditions. Please consult
products from your local weather office.


NEXT ADVISORY
-------------
Next complete advisory at 400 AM EST.

$$
Forecaster Pasch

Originally Posted at:
NATIONAL HURRICANE CENTER and CENTRAL PACIFIC HURRICANE CENTER
At The NATIONAL OCEANIC AND ATMOSPHERIC ADMINISTRATION

zerohedge
Economics , News , Politics , Science
December 7, 2024
2 views

The Miserable Cost Of An Open Border

Authored by Seth Barron via RealClearPolitics,

The Biden-Harris experiment in dissolving the U.S. border has wrought massive changes to American society, most of which will not be understood for years, if not decades. Since 2021, U.S. border officials have had at least 10 million “encounters” with migrants, many of whom were allowed to enter the country. There is no telling how many more aliens entered the country without encountering enforcement agents. The population of the United States may have increased by as much as 15 million people in just a few years.

This massive flow of humanity crosses multiple national borders, involves every mode of transportation, accounts for billions of dollars paid in fees to smugglers, and describes a fantastically complex economy of suffering and hope. In an effort to get a handle on this human tide, noted muckraker James O’Keefe – known for his hidden camera “gotcha” interviews with abortionists, media executives, progressive nonprofit executives, and other degenerate types – traces the migrant onrush from its source, and seeks to trace the machinery of profit and influence that is conducting it from great removes.

“Line In The Sand,” the resulting documentary, is a remarkable and humane exposition, revealing perspectives and images American audiences have mostly been prevented from seeing. O’Keefe and his intrepid team begin on the U.S. side of the Mexican border, where we witness migrants crossing the border through holes that their guides have cut in a fence that serves as a target as much as a barrier. Infrared cameras show dozens of illegal aliens streaming toward “pick-up” vehicles on the U.S. side while smugglers – presumably cartel members – a few feet away taunt O’Keefe and his group. “What if I were to run up to them right now, what would happen?” O’Keefe asks his guide. “I would highly advise you against that,” he is told, in a classic understatement.

The fact that coyotes and other human traffickers are paid to assist northbound migrants with their passage is no scandal; we all know what their motivations are and why they are doing what they do. But O’Keefe documents multiple examples of U.S. Border Patrol agents standing idly by while illegal aliens cross, virtually under their noses. “Why aren’t you doing anything?” he asks. “Have a good day, guys,” a border agent desultorily responds before driving off in the general direction of the episode. Later, a migrant stands in front of a Border Patrol truck, clearly trying to alert the agents of his intention to surrender, but is studiously ignored until O’Keefe and his team call their attention to him.

There is a kind of sad comedy in the operations of U.S. border security, and O’Keefe is not unsympathetic to the absurd position that border agents have been put in. Trained to defend the national border and to serve as the first line of defense of American soil, these agents have been recommissioned as a perverse Welcome Wagon for illegal aliens, charged with making their undocumented and uninvited entrance to the United States as commodious as possible.

Looking to get deeper into the heart of this migratory avalanche, O’Keefe went deep into Mexico, to the city of Irapuato, about 150 miles northwest of Mexico City. Irapuato is a popular railway junction where thousands of migrants climb aboard “La Bestia,” or “The Beast,” a cargo train that chugs northward toward the United States. In the film’s most remarkable footage, O’Keefe and his team join with migrants, mostly from South and Central America, to ride The Beast, also known as “el Tren del Muerto,” or the Train of Death. O’Keefe talks to the migrants without condescension, asking them their destinations and what they plan to do when they get there, and their concerns about the perilous nature of the journey. We see the film crew race to jump on a moving train and clamber on top to sit in a pile of coal; O’Keefe is shocked at how truly dangerous this small element of the trip is and sympathizes with the migrants’ difficult choices. These scenes are among the film’s most affecting, along with the crew’s random encounter with a little girl who had just crossed the border after journeying from Guatemala by herself. There is a human dimension to illegal immigration, and O’Keefe does not ignore it.

However, there is also an impersonal dimension to this massive population transfer, and O’Keefe determinedly aims to uncover it – to put a face to the institutions and administrators that benefit from the rough injection of millions of people into American society. From government agents to bus companies to nonprofit resettlement groups to private contractors running huge, walled compounds housing thousands of children, O’Keefe doggedly tries to penetrate the mechanics of a system that resolutely hides itself behind a screen of silence, usually in the name of “safety” and “privacy.”

Some of the film’s more comical moments pertain to these segments, such as when the team follows some just-arrived Chinese migrants in San Diego to an employment agency, where other Chinese aliens, already in the country for several months, complain that it’s much harder to live in the United States than they had imagined. O’Keefe tries to sniff out a connection between the owner of the agency and more powerful actors, but it emerges that there really isn’t much going on; in fact, the owner asks O’Keefe if he knows of a way to apply for government grants.

Elsewhere, O’Keefe tries to get information about the operations of several huge residential centers for unaccompanied minors and tries to spin their refusal to give him access to the centers or submit to interviews as evidence of the existence of vast, government-funded child sex trafficking networks. But it seems more likely, though no less troubling, that the open borders policy of the last four years has created a tremendous humanitarian crisis of alien children roaming the continent by themselves, and the government is probably trying to keep them from becoming prey to sex traffickers while they sort out where to send them. Though O’Keefe does not uncover a salacious network of child predators, his vigorous pursuit of the truth does reveal the existence of a large, shadowy, government-funded, and lucrative system of child “welfare.”

So, “Line In The Sand” is correct in the larger sense that billions of dollars are being spent managing this human flow, and many people are getting rich off of it. The last thing these parasitical administrators of the nonprofit industrial complex want is for the border to close. O’Keefe does a great job of capturing in real time the corruption of a local New York City nonprofit called La Jornada, whose leader, Pedro Rodriguez, evidently perpetrates fraud, demanding fees for services that the city provides for free. O’Keefe also sends a Spanish-speaking reporter undercover into the Roosevelt Hotel, New York City’s main processing center for newly-arrived migrants, which offers him free housing, medical care, and even airplane tickets, even though the reporter explains that he has no identification of any sort. How, O’Keefe asks, in our post 9/11 security-obsessed era, are we to make sense of a system that admits millions of unvetted foreigners into the country, and then offers to fly them anywhere they care to go?

“Line In The Sand” is rough in parts, but intentionally so. Its subject is so sprawling and tangled that a neat and clean representation would be a lie. Even with a nine-figure budget – which this film assuredly did not have – a documentary about the border and the 30 million-footed human swarm that has crossed it would be messy and incomplete. But James O’Keefe and his small team have done something remarkable. They have taken on the decade’s biggest story, given it form, and preserved the humanity of its subjects. It is worth watching.

Seth Barron is a writer in New York and author of the forthcoming “Weaponized from Humanix.”

Tyler Durden
Sat, 12/07/2024 – 17:30