Chinese Agent Who Tried To Bribe IRS Against Shen Yun Sentenced To 20 Months in Prison

Authored by Eva Fu and Cara Ding via The Epoch Times (emphasis ours),

A Chinese agent who tried to bribe the IRS and manipulate the agency into advancing Beijing’s transnational repression of a U.S. nonprofit has received a 20-month prison sentence.

U.S. District Court for the Southern District of New York in White Plains on Jov. 19, 2024. Cara Ding/The Epoch Times

U.S. citizen John Chen, 72, was a principal actor in a $50,000 bribery scheme under the direction of a Chinese intelligence official to revoke the nonprofit status of New York-based Shen Yun Performing Arts.

Shen Yun has long been on the Chinese regime’s target list. Founded in 2006, the company tours around the world to display the ancient Chinese culture that prevailed before the communist takeover of China, while highlighting the human rights abuses under the regime’s rule. It has often drawn attention to the ongoing persecution of the meditation group Falun Gong.

Chen pleaded guilty in July after reaching a plea deal with prosecutors. He has spent the 16 months since his arrest in May 2023 in detention, and he will spend another four months in federal custody.

He will also forfeit $50,000 and face three years of supervised release after serving the full prison term.

For several months in 2023, Chen had been trying to move a fraudulent whistleblower complaint to help the Chinese Communist Party “topple” Falun Gong, according to court documents. Prosecutors said the whistleblower complaint was “facially deficient” and invoked propaganda rhetoric typical of Chinese authorities.

During those conversations, Chen emphasized that Chinese leadership was “very generous” in financial support for the plan, according to the court filing.

“After this-this-this thing is done,” the court document quoted Chen as saying, “reward for work will surely be given at that time.”

Chen and another co-conspirator, Lin Feng, who served 16 months of detention, paid $5,000 cash bribes to an undercover agent posing as an IRS agent. They promised an additional $50,000 for opening an investigation along with 60 percent of any awards from the complaint if it went through.

It was “a significant bribe,” Assistant U.S. Attorney Michael Lockard said at the sentencing hearing. He noted that the undercover officer didn’t specify an amount.

John Chen (L) poses for a photo at an event celebrating the 70th anniversary of Chinese communist rule in Beijing in 2019. Department of Justice

“The defendant chose the amount,” he said.

Both Chen and Lin had traveled to Orange County in upstate New York, where Shen Yun is based, to surveil Falun Gong practitioners there, according to a court filing.

Damian Williams, the U.S. attorney for the Southern District of New York, said the sentencing was a reminder that “the U.S. justice system will hold accountable those who attempt to engage in malicious transnational repression on American soil.”

“John Chen aligned himself with the PRC government and its goals to harass and intimidate the Falun Gong, a long-standing target of PRC repression. In doing so, Chen boldly attempted to bribe an individual he believed to be an IRS agent to corrupt the administration of the U.S. tax code and pervert the IRS whistleblower program,” he said in a statement on Nov. 19. “This Office will not tolerate efforts like this to repress free speech by targeting critics of the PRC in the United States.”

U.S. Attorney for the Southern District of New York Damian Williams addresses the media in New York City on Nov. 2, 2023. David Dee Delgado/Getty Images

Both Chen’s son and his lawyer declined to comment after walking out of the courtroom.

While Chen’s son, three China-based siblings, two ex-wives, and fiancée have all written letters asking for leniency and describing him as a man who loves the United States, the prosecutors disagreed.

In a Nov. 5 memo, they argued that a 30-month prison sentence—the longest under the sentencing guideline—would be appropriate because of the seriousness of the case and the need to deter criminal conduct, “particularly in cases of a foreign power’s repression of a disfavored group within the borders of the United States.”

“The defendant has no mitigating motives or external factors justifying his offense,” the prosecutors wrote, noting that Chen was “not motivated by poverty” and that there was no evidence of Chinese officials’ pressure.

The curtain call for Shen Yun Performing Arts at the David H. Koch Theater at Lincoln Center in New York City on Jan 11, 2015. Larry Dai/Epoch Times

Prosecutors noted that Chen had repeatedly referred to Chinese officials as his “friends” and that during the bribery scheme, he “called them ‘blood brothers,’ and described how ‘we’—Chen and his PRC Government friends—‘started this fight’ against the founder of the Falun Gong ‘twenty, thirty years ago.’”

The memo displayed photos obtained from Chen’s electronic devices and online accounts showing him at a major military parade in Beijing celebrating the 70th anniversary of Chinese communist rule in 2019. Another photo showed Chen shaking hands with communist leader Xi Jinping.

“Chen was extraordinarily proud of his history with the PRC Government and, in particular, his meeting with Xi,” the memo states, citing a recorded call in which he bragged that he had “climbed, climbed, climbed to this position,” and that “Uncle Xi” met him “three times in 10 years.”

Chen had also featured those three meetings, along with a photo, in a 2020 digital rĂŠsumĂŠ, according to the memo.

Chen was aligned with the Chinese authorities in suppressing Falun Gong and “acted as a full-fledged and enthusiastic participant in the crimes,” the prosecutors said.

“It was his fight,” Lockard said at the sentencing hearing, adding that Chen had tried to use the freedoms he enjoyed in the United States to undermine the country.

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Originally Posted at; https://www.zerohedge.com//


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The Miserable Cost Of An Open Border

The Miserable Cost Of An Open Border

Authored by Seth Barron via RealClearPolitics,

The Biden-Harris experiment in dissolving the U.S. border has wrought massive changes to American society, most of which will not be understood for years, if not decades. Since 2021, U.S. border officials have had at least 10 million “encounters” with migrants, many of whom were allowed to enter the country. There is no telling how many more aliens entered the country without encountering enforcement agents. The population of the United States may have increased by as much as 15 million people in just a few years.

This massive flow of humanity crosses multiple national borders, involves every mode of transportation, accounts for billions of dollars paid in fees to smugglers, and describes a fantastically complex economy of suffering and hope. In an effort to get a handle on this human tide, noted muckraker James O’Keefe – known for his hidden camera “gotcha” interviews with abortionists, media executives, progressive nonprofit executives, and other degenerate types – traces the migrant onrush from its source, and seeks to trace the machinery of profit and influence that is conducting it from great removes.

“Line In The Sand,” the resulting documentary, is a remarkable and humane exposition, revealing perspectives and images American audiences have mostly been prevented from seeing. O’Keefe and his intrepid team begin on the U.S. side of the Mexican border, where we witness migrants crossing the border through holes that their guides have cut in a fence that serves as a target as much as a barrier. Infrared cameras show dozens of illegal aliens streaming toward “pick-up” vehicles on the U.S. side while smugglers – presumably cartel members – a few feet away taunt O’Keefe and his group. “What if I were to run up to them right now, what would happen?” O’Keefe asks his guide. “I would highly advise you against that,” he is told, in a classic understatement.

The fact that coyotes and other human traffickers are paid to assist northbound migrants with their passage is no scandal; we all know what their motivations are and why they are doing what they do. But O’Keefe documents multiple examples of U.S. Border Patrol agents standing idly by while illegal aliens cross, virtually under their noses. “Why aren’t you doing anything?” he asks. “Have a good day, guys,” a border agent desultorily responds before driving off in the general direction of the episode. Later, a migrant stands in front of a Border Patrol truck, clearly trying to alert the agents of his intention to surrender, but is studiously ignored until O’Keefe and his team call their attention to him.

There is a kind of sad comedy in the operations of U.S. border security, and O’Keefe is not unsympathetic to the absurd position that border agents have been put in. Trained to defend the national border and to serve as the first line of defense of American soil, these agents have been recommissioned as a perverse Welcome Wagon for illegal aliens, charged with making their undocumented and uninvited entrance to the United States as commodious as possible.

Looking to get deeper into the heart of this migratory avalanche, O’Keefe went deep into Mexico, to the city of Irapuato, about 150 miles northwest of Mexico City. Irapuato is a popular railway junction where thousands of migrants climb aboard “La Bestia,” or “The Beast,” a cargo train that chugs northward toward the United States. In the film’s most remarkable footage, O’Keefe and his team join with migrants, mostly from South and Central America, to ride The Beast, also known as “el Tren del Muerto,” or the Train of Death. O’Keefe talks to the migrants without condescension, asking them their destinations and what they plan to do when they get there, and their concerns about the perilous nature of the journey. We see the film crew race to jump on a moving train and clamber on top to sit in a pile of coal; O’Keefe is shocked at how truly dangerous this small element of the trip is and sympathizes with the migrants’ difficult choices. These scenes are among the film’s most affecting, along with the crew’s random encounter with a little girl who had just crossed the border after journeying from Guatemala by herself. There is a human dimension to illegal immigration, and O’Keefe does not ignore it. 

However, there is also an impersonal dimension to this massive population transfer, and O’Keefe determinedly aims to uncover it – to put a face to the institutions and administrators that benefit from the rough injection of millions of people into American society. From government agents to bus companies to nonprofit resettlement groups to private contractors running huge, walled compounds housing thousands of children, O’Keefe doggedly tries to penetrate the mechanics of a system that resolutely hides itself behind a screen of silence, usually in the name of “safety” and “privacy.”

Some of the film’s more comical moments pertain to these segments, such as when the team follows some just-arrived Chinese migrants in San Diego to an employment agency, where other Chinese aliens, already in the country for several months, complain that it’s much harder to live in the United States than they had imagined. O’Keefe tries to sniff out a connection between the owner of the agency and more powerful actors, but it emerges that there really isn’t much going on; in fact, the owner asks O’Keefe if he knows of a way to apply for government grants.

Elsewhere, O’Keefe tries to get information about the operations of several huge residential centers for unaccompanied minors and tries to spin their refusal to give him access to the centers or submit to interviews as evidence of the existence of vast, government-funded child sex trafficking networks. But it seems more likely, though no less troubling, that the open borders policy of the last four years has created a tremendous humanitarian crisis of alien children roaming the continent by themselves, and the government is probably trying to keep them from becoming prey to sex traffickers while they sort out where to send them. Though O’Keefe does not uncover a salacious network of child predators, his vigorous pursuit of the truth does reveal the existence of a large, shadowy, government-funded, and lucrative system of child “welfare.”

So, “Line In The Sand” is correct in the larger sense that billions of dollars are being spent managing this human flow, and many people are getting rich off of it. The last thing these parasitical administrators of the nonprofit industrial complex want is for the border to close. O’Keefe does a great job of capturing in real time the corruption of a local New York City nonprofit called La Jornada, whose leader, Pedro Rodriguez, evidently perpetrates fraud, demanding fees for services that the city provides for free. O’Keefe also sends a Spanish-speaking reporter undercover into the Roosevelt Hotel, New York City’s main processing center for newly-arrived migrants, which offers him free housing, medical care, and even airplane tickets, even though the reporter explains that he has no identification of any sort. How, O’Keefe asks, in our post 9/11 security-obsessed era, are we to make sense of a system that admits millions of unvetted foreigners into the country, and then offers to fly them anywhere they care to go?

“Line In The Sand” is rough in parts, but intentionally so. Its subject is so sprawling and tangled that a neat and clean representation would be a lie. Even with a nine-figure budget – which this film assuredly did not have – a documentary about the border and the 30 million-footed human swarm that has crossed it would be messy and incomplete. But James O’Keefe and his small team have done something remarkable. They have taken on the decade’s biggest story, given it form, and preserved the humanity of its subjects. It is worth watching.

Seth Barron is a writer in New York and author of the forthcoming “Weaponized from Humanix.”

Tyler Durden
Sat, 12/07/2024 – 17:30

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